Postcard from
Li Pon in
Namaya in
Li Pon in
Li Pon in
Namaya in Vermont -“Autumn leaves are blowing in the new October wind: One of scarlet maple fire; a cluster of deep green leaves tinged with
Contemporary culture, politics, poetry, stories, travel.
Postcard from
Li Pon in
Namaya in
Li Pon in
Li Pon in
Namaya in Vermont -“Autumn leaves are blowing in the new October wind: One of scarlet maple fire; a cluster of deep green leaves tinged with
Li Pon Noisy Monk Again
“When you write, you have to be careful about turning to the left.”
made himself quite comfortable,
and played a pan pipe.
“Foolish poet!
Solstice day, time to play!”
I was in a surly mood and
wanted to spend the day writing.
“Get away from me monk! I’m
writing – I can’t be bothered
by your foolish chatter.”
“Indeed! You’re writing, careful
what’s on the left!” he laughed
so hard he fell off the bed.
“I have something far better
than your silly scribbling.”
“Leave me alone monk! No one trifles
with a poet in the midst
of making love with a muse! Not even Li Pon.”
I slammed the door behind him.
“Damn noisy monk!”
I heard more silly giggling
in the background.
Now back to the story I was writing:
I followed the journey which began
with a dream, I was in Marrakech
in Djemaa Al Fna and
knew this by the astringent smell
of leather dyes, cumin, coriander, spices
from the markets mixed with donkey shit…
I took the hidden entrance that faces south to the mosque, there are no names to the streets, they’re referred to as the House of Saiid Al Hadid or some other person who lived there in centuries past or even now – if you wanted to find someone’s house—Mohammed the baker whose brother is the tinsmith—otherwise you had no business going down that street. Not a street for tourists, they were consumed by the yawning mouth of the souvenir, carpet and tchchka shops. Flutes and the oued rose upwards from the inner sanctum of the
There could be only one source of such absurdity.
In the middle of the tavern, a bubbling fountain of giggles surrounded by a Moroccan ska band, as Li Pon looked up at me and winked.
“Did I imagine you again?” he said to me. “When you write you have to be careful about turning to the left.”

Blue Heron Pond –
sacred body of water
which has taught me more
of reverence than any church,
wiser in its quiet wisdom,
than any holy book or tome.
Care well.
It seems to say.
Care well.
Swimming in the freezing
waters, ice cold springs
surprise and awaken me!
Finches, darts of yellow,
race across the fields.
Blue jay’s screech warns!
Care well!
He seems to say.
Care well!
Frogs’ night chorus more
joyous and godly than any
Bach chorale. Tulips divine
the intersect of mystery,
revelation from the earth
and desire for the sun.
Blue Heron, sage of
this pond who nests high
in the hemlocks,
is patiently biding her time.
Care well!
She seems to say.
Care well!
In time we will all leave
this mortal sacred space,
but I will not grieve this end.
I will grieve if we have
not loved this earth with
sublime tenderness,
reverenced the waters as
dearly as our gods, cherished
the wisdom of a flower,
and held the divinity of
each living creature as a
mirror of god’s love.
As god spun the planet
earth on her course and
brought it to life,
she set it free with this
single blessing:
Care well.
namaya 2007
Foreboding in
Presentiment is that long shadow on the lawn
Indicative that suns go down;
The notice to the startled grass
that darkness is about to pass.
A foreboding of the day for no reason at all. The day invited itself in with a bright sunny smile; green leafed reaching to the sky and each cardinal point. : It reverberated life. Pond is perfectly clear. Food in the cupboard. Money in the bank. Health good. Life is even and smooth; yet, there was an odd foreboding in the air, as if something was afoot in the cosmos. Strange, I looked to the floor and under the bed which appeared to be built on a solid block of stone. Granite, to be precise, not from the
Yesterday, I visited Emily Dickinson’s house in Amherst by chance, I was on my way to a massage parlor a few meters from Miss. Dickinson’s home and though I was ready for a sensuous indulgence I saw the sign for her home a large yellow handsome brick house of a wealthy family and the spinster Aunt who spun poems that too few read. In the garden was an immense oak easily a century in years, perhaps even more, it reached out generously to all points of the compass, small garden paths, purple flowers, tiny white daisies, the lawn and the bushes precisely trimmed. The day was overcast, the garden sequestered in shadows, and the filtered shadowy light obscured by a massive oak.
Was the seed of this tree spawned when Miss. Emily walked these grounds? Imagination and reality are so imprecise when they converge. The private letters of an intensely private woman were on display, though too few revealed her truest longings, and the barest outlines of desire were written on the periphery of her words. Were they so imbedded deeply knit into the fabric and integument of the word fused to the paper that the true amorous passions were quite still? Did Miss. Emily ever caress herself and wonder of love’s ardor?
Who was this reclusive poet? A tubercular romantic waiting by the window watching the world pass by? On this small road a few carriages and horses passed each hour, a clatter of leather harnesses and metal, the high stepping hooves, the whir of the carriage wheels as they bounced along the road from town, and the sounds reached up to the second floor where Emily sat and wrote a poem about the Eternal Footman waiting. Many of her poems were about expectations, windows and the perspective of time, who looks in and who appears out, and the disintegration of time. While the
Curious, the roles and places we choose in life, she chose this monastic life cloaked as a spinster poetess who wove her poems mostly in secret. It was a strange slightly disquieting visit that was oddly at the same time quite serene. I peered back into the life of a woman who lived a hundred years ago and then, without realizing it, felt a quiet foreboding today and wondered of the granite block beneath my bed.
poetry.